香港地铁宋：观察、再用与再生

无论品牌还是站内路牌，港铁一系列中英双语文字设计自1979年通车起便世界知名。其中对明体的广泛运用，至今也特立独行于其他汉字使用国家。港铁明体嫡传统为什么当年的地铁公司选用明体作为主字体呢？

https://english.m.fontke.com/article/6553/

Foundry Focus: Fontsmith

Fontsmith is a leading London-based type design studio founded in

https://english.m.fontke.com/article/4227/

ScreenFonts: The Way Way Back, Pacific Rim, Only God Forgives, Blue Jasmine

Summer will soon be over (the astronomical one that is) but the s

https://english.m.fontke.com/article/13123/

ScreenFonts: Clash of The Titans, A Nightmare on Elm Street, Date Night, Kick-Ass, The Losers

Oh my goodness, what a lousy instalment of ScreenFonts this turns

https://english.m.fontke.com/article/2343/

20 Years of FontShop: Vintage FUSE Interview

In 1990 Neville Brody and Jon Wozencroft developed the idea of FU

https://english.m.fontke.com/article/2098/

方正第二代中文屏显字体：悠黑家族

第二代中文屏显字体——方正悠黑家族上线。其设计充分利用高清屏物理特性，适当收紧中宫和缩小字面，提高文字的识别性；融入传统书写气息，提升文字的阅读品质。

https://english.m.fontke.com/article/7819/

ScreenFonts: Fun Size, Chasing Mavericks, The Sessions, The American Scream

I suppose American FontFeed readers are recovering from yesterday

https://english.m.fontke.com/article/9817/

ScreenFonts: From Paris With Love, The Wolfman, Ghostwriter, The Crazies, Cop Out, A Prophet

Oy vey, ridiculously late episode. This time the extensive TDC2 p

https://english.m.fontke.com/article/2245/