10 Online Courses For An Introduction To Typography
Typography is important no matter what the medium, and good desig
https://english.m.fontke.com/article/13042/
Malabar, Premiéra, And Acorde Win At Joseph Binder Award 2010
It is starting to sound like a running gag – a good one, that is
https://english.m.fontke.com/article/3142/
Extra Bold, Ultra Black Fonts: Hit Hard with Heavy Duty Type
In an effort to get noticed, a lot of folks turn to the most obvi
https://english.m.fontke.com/article/355/
Face the Nation v2
对于 Rex 的文章，我有几点补充。爱尔兰：爱尔兰采用的 Gaelic script 是采用拉丁字母加上音调符号，基于中世纪的 h
https://english.m.fontke.com/article/2633/
Volksbühne Berlin Season Magazine 2013/2014
Photo: Florian Hardwig. License: CC BY-SA.Posted as an addendum t
https://english.m.fontke.com/article/13280/
Excruciating details about the Adobe Tech Note #5079 update
I spent the early part of this week updating Adobe Tech Note #507
https://english.m.fontke.com/article/6190/
字体的故事：& 的简史与它在设计中应用
是一个非常独特的字符，字体设计师在设计这个字符的时候，常常天马行空，然而很多设计师对这个符号的背景知之甚少，事实上，有一段悠久而有
https://english.m.fontke.com/article/3132/
Ode, a Fresh Start for a Broken Script
When designing a typeface, I prefer to explore a construction pri
https://english.m.fontke.com/article/2685/
Web与排版学上的字体问题
关于字体的讨论，其实无论是国外还是国内，都已经有不少，可是我发现绝大部分的内容或者有失偏颇，或者不够全面，下面我试图将自己一段时间内的观点总结一下，以求提出一个比较容易接受的 CSS 字体选择的建议。事关大小字体的大小总是一个困扰人的问题，用绝对单位
https://english.m.fontke.com/article/476/
The Line
License: All Rights Reserved.An East London outdoor contemporary
https://english.m.fontke.com/article/20160/
