Styles, Weights, Widths — It's All in the (Type) Family
In a previous Type Basics piece we examined the difference betwee
https://english.m.fontke.com/article/998/
Smashing Book 2 Rings In The New Year
This past summer I received a request for an interview from Vivie
https://english.m.fontke.com/article/3379/
OpenType in Adobe Creative SuiteThe Raiders of The Lost Glyphs Pt. 1
The location of OpenType features in the various programs of the
https://english.m.fontke.com/article/2836/
字体名称的那些事儿（一）：好名字是好的开始
一直想就字体名称写点什么，因为在多年的实践中，深感到字体名称的命名、设置在实际使用中非常重要。名字虽然不是字库的”灵魂”，但的确在
https://english.m.fontke.com/article/2470/
汉字字体设计与民族文化的融合
摘要：在我国经济稳步发展的今天，本民族字体设计艺术却与欧美、日、韩等国产生了较大的差距，这种差距在很多人看来是和我国的经济发展速度不相称的，重要的原因在于人们对中华民族文化的忽视。汉字本身只属于拥有五千年文化的中华民族，汉字字体设计的发展也代表着我国
https://english.m.fontke.com/article/560/
ScreenFonts: Hell Baby, A Single Shot, Muscle Shoals, Dark Touch
However immensely enjoyable and informative it was, my week atten
https://english.m.fontke.com/article/13516/
ScreenFonts: The Words, Francine, The Master, Dredd, Solomon Kane, Looper
Fortunately it only happens rarely, but after my ScreenFonts seri
https://english.m.fontke.com/article/9413/
Web Fonts + Google = Wider Adoption
Last week, the latest and arguably most sensational "Web font" de
https://english.m.fontke.com/article/2355/
活动通稿：GDC 13——汉字二十四时
“汉字二十四时：透见汉字设计的思潮”是由深圳市平面设计协会主办，以关注中国当代汉字设计现状、深入研讨专业话题、促进汉字设计与平面设
https://english.m.fontke.com/article/5771/
New FontFonts: The Creation of FF Unit Slab
One of the things the FontFont foundry is known for are its succe
https://english.m.fontke.com/article/1530/
